JAMES BOND FIRST EDITIONS BLOG

Showing posts with label Diamonds Are Forever. Show all posts
Showing posts with label Diamonds Are Forever. Show all posts

Wednesday, November 11, 2020

Inscribed LIVE AND LET DIE sells for $250,000

A first UK edition of Live and Let Die inscribed by Ian Fleming to Winston Churchill sold today in Sotheby's "James Bond: A Collection of Books and Manuscripts, The Property of a Gentleman" auction for £189,000 ($249,647). This has got to easily be the highest price every paid for a James Bond book.

Ian Fleming's final revised typescript for Diamonds are Forever took £138,600 ($183,074). 

You can browse all the prices realized HERE.

Monday, October 22, 2018

The Folio Society releases DIAMONDS ARE FOREVER

The Folio Society has released their next illustrated slip-cased Ian Fleming classic, Diamonds Are Forever.


For the fourth book in the Bond series, America is the backdrop for the adventures of Fleming’s hero, taking the reader from the simmering, sulphurous mud baths of Saratoga to the ‘ghastly glitter’ of Las Vegas. It is in the gambling dens of ’50s Vegas – a world of glamour and gangsters – that we see Bond in his element, sizing up the roulette wheel and casually taking the house for everything it’s got. The only Bond novel not to have roots in the Cold War, Fleming makes certain that Diamonds Are Forever has more than its share of larger-than-life villains and set pieces: the dreadful Spang brothers and their associated gallery of thugs, and the ghost town of Spectreville, complete with its very own steam train, are especially memorable. Writing to a friend, Fleming commented with typical humour that for this novel he had included ‘every single method of escape and every variety of suspenseful action that I had omitted from my previous books – in fact everything except the kitchen sink, and if you can think up a good plot involving kitchen sinks, please send it along speedily’.

Bond is initially dismissive of American gangs, a stance he quickly comes to regret when faced with their ingenious brutality. His unlikely saviour comes in the delectable form of Miss Tiffany Case, a woman with a bad past and a broken future. Tiffany proves to be one of the series’ most complex and compelling female characters, and with his growing attachment to her, we see a new, more conflicted side to Bond. 
Fans of this series will no doubt be excited to see what illustrator Fay Dalton has created with the tantalising combination of Vegas, Bond and Tiffany Case, and they certainly won’t be disappointed. This is the sixth volume in the Folio Bond collection, featuring the distinctive and stylish binding design inspired by the secret agent’s impeccable suits, and a stunning illustrated slipcase.
Bound in blocked cloth
Set in Miller Text with Folio Bold Condensed as display
240 pages
Frontispiece and 6 colour illustrations
Pictorial slipcase
9˝ x 6¼˝

The Diamonds Are Forever Folio Edition is priced at $56.59 and is available now from the Folio Society website.

Also available are illustrated editions of Casino Royale, MoonrakerFrom Russia With Love, Dr. Noand Goldfinger.


Thanks to Double O Section for the alert.

Friday, December 21, 2012

DIAMONDS ARE FOREVER manuscript sells for £97,250

An original manuscript for the James Bond novel Diamonds Are Forever with Ian Fleming's handwritten corrections sold for £97,250 ($158,000) at Sotheby's auction of "English Literature, History, Children’s Books & Illustrations" on December 12.

The manuscript was Lot 111 and had carried an estimate of £50,000 - £80,000. The final price includes a Buyer's Premium.

The manuscript had been owned by Fleming's typist, Ulrica Knowles, and had remained in her family until 2008. According to the auction, among the many revisions in the manuscript is the fact that the book's hoodlum "Dolly" Kidd is called "Boofy" Gore throughout (the name was changed following the objection of Fleming's former schoolfriend from whom the name was taken).

Diamonds Are Forever was Ian Fleming's fourth James Bond novel and was first published by Jonathan Cape on March 26, 1956.

Saturday, December 8, 2012

LINK: Rare James Bond manuscript with Ian Fleming notes to fetch £80,000

The Telegraph reports that a rare manuscript of the James Bond novel Diamonds Are Forever featuring Ian Fleming's handwritten corrections could fetch as much as £80,000 when it goes up for auction at Sotheby's on December 12. Click the headline to read.


Sunday, October 7, 2012

Behind the scenes with the Croatian DIAMONDS ARE FOREVER cover art team


PRESS RELEASE:
Croatian Special Edition
of Ian Fleming’s Diamonds Are Forever
Presented at a Gala Event in Zagreb

ZAGREB, October 3, 2012 – “I knew you all expected Mr. Bond to show up for his promotion,” said David Slinn, Her Majesty’s Ambassador to the Republic of Croatia, “but he is currently at an undisclosed location, performing undisclosed duties.” His excellency was addressing an audience of some hundred people, gathered in good cheer at the Café Kinoteka in Zagreb on September 19th for the unveiling of the first Croatian edition of Ian Fleming’s Diamonds Are Forever, joining numerous Olympic and Paralympic athletes freshly returned from their successes at the 2012 London Games.

The UK Embassy and the Bond publisher, Algoritam, used the opportunity to not only present a classic Fleming title to the local audiences, but to also congratulate the athletes on the Olympic achievements that inspired the nation. Mr. Slinn was joined on the stage by Vladimir Cvetković Sever, the imprint’s editor, translator and creative director, and Lana Petanić, who portrays the book’s indefatigable female lead, Tiffany Case, on the cover. The assembly was greeted by Fergus Fleming, the Chairman of Ian Fleming Publications Ltd., in a letter which stated, “This latest volume is a splendid addition to the annals of Agent 007, and I wish it every success.” It was the fifth in a unique line of Ian Fleming Bond covers which Algoritam has been producing, under license from IFP, since 2008.

“The challenge for this cover,” said Cvetković Sever, “was to connote the brilliance and timelessness of diamonds without depicting any, as Tiffany Case does not wear them in the story. So it was a stroke of good fortune when we secured Lana’s participation. She is not only one of Croatia’s top models, but her looks easily rival those of any currently working supermodel anywhere in the world. With Lana aboard, we had our diamond, cut and polished; we could concentrate on the character she so fully embodies.”

Photographer Belizar Valić and Tiffany Case model Lana Petanić on set.    

This restrained approach extended to the photographer. As luck would have it, Belizar Valić has had prior experience working with Petanić in various fashion editorials over the years. The Diamonds Are Forever cover photoshoot marked one of his rare returns to the kind of work he loved to do before turning his full attention to Sonic Models, the modelling agency which he runs with his partner and this book’s stylist, Iva TuÄ‘a. “Early on, Vladimir decided to depict the iconic Tiffany Case scene, the introduction of her character as she gazes in the mirror of her dressing table, wearing black lingerie, while Feuilles Mortes plays in the background,” said Valić. “He drove us crazy with that song, in half a dozen different covers ranging from Yves Montand to Iggy Pop! But it certainly helped create the mood. Lana had a lot of Tiffany in her, and she was able to pull off the character’s emotion without any extraneous help from my lighting. In creating a character that is designed to have only two or three photos to exist in, I let her face tell the story, while concentrating on simply staying true to her portrayal.”

The final cover design depicts Case in a very feminine purple room, its dilapidation suggested only by the state of the dressing table mirrors and its rough surfaces. Staring into her own eyes on the front cover, she notices an imaginary Bond and begins to turn on the spine thumbnail, revealing her full figure to the reader’s gaze only on the back cover. “Years ago, a Croatian stylist referred to Lana’s legs as belonging to the Aston Martin class,” noted Cvetković Sever. “I learned of his comment much later, but I found it more than fitting – and true – once she became a Bond Girl.”

The result is the softest and most feminine of the five Bond covers produced in Croatia so far, true to every aspect of Ian Fleming’s prose – from the gaudy setting of the fictional Trafalgar Hotel to the chatoyance in Tiffany’s eyes – while capturing both the period and the continuing appeal of the original text. “I’ve had people comment on how perfectly these images capture the fifties, or the seventies, or the eighties look,” added Cvetković Sever wryly. “That is the true beauty of the original Bond Girls – they belong to every era. Due to Ian Fleming’s insistence on a natural, timeless look, with little makeup, simple hairstyles and no nail varnish, these ladies have lived on as symbols of grace, courage, determination and fortitude in the pages of his prose. Despite being grounded in their time and place, they go on forever. And each model we’ve had the fortune to work with has embodied her own character flawlessly, while putting her own unique spin on it; it is our hope that in presenting the first flesh and blood Bond Girls as written, we have hewed as closely as possible to Ian Fleming’s mental image of them.”

Despite being one of the fastest translators in Croatia – last year, he shared George R.R. Martin’s “gold medal” for producing the world’s first translation of his bestselling A Dance with Dragons – Cvetković Sever takes his time with the Fleming material, producing roughly one translation per year. “Simply put, these books are a labour of love,” he concludes. “Every pixel on their covers has to be just right, and so does every term and every comma in the actual text. Diamonds Are Forever had offered its readers their initial glimpse under the shady canopy of the illicit diamond trading, and that sorry business has continued to bring misfortune to Africa and every other part of the pipeline that Fleming so memorably began to depict.” “Alas, we didn’t actually have a Bond to put an end to these things in the mid-fifties,” added Petanić, who researched her role thoroughly. “There are other women living Tiffany’s life at this very moment, and we were all quite aware of that sobering fact as we worked on this cover.”

The first Croatian edition of Diamonds Are Forever is currently available in Croatian bookstores; the search for the perfect model to portray Tatiana Romanova in From Russia with Love has already begun.


Makeup artist Kristina HoÅ¡njak, stylist Iva TuÄ‘a, model Lana Petanić and 
creative director Vladimir Cvetković Sever at the Croatian Diamonds Are Forever 
photoshoot in the Jadran Film Studios.

Sunday, November 6, 2011

Bantam's BOND

Well, the last series I featured here, the Jove paperbacks, received a drubbing in the comments, with several of my UK friends complaining (justifiably) that they were far too "American" in their look and design. So to redeem the USA, here is another U.S. series -- which I'd say is just as "American" in look and vibe -- but one that I find pretty darn terrific! In fact, as far as cover paintings go, this might actually be one of the very best paperback series of them all, and it's a shame Bantam only did a handful of the books in this style.

Bantam first entered the Bond game in May 1969 when it published the paperback edition of Colonel Sun by Kingsley Amis. The book featured original cover art by the great Frank C. McCarthy, who in conjunction with Robert McGinnis painted the classic Bond movie posters for Thunderball, You Only Live Twice, and On Her Majesty's Secret Service.

Then, starting in May 1971, Bantam released more Bond titles with McCarthy artwork, including Casino Royale, From Russia With Love, and Doctor No. The new series featured a bold JAMES BOND down the side and a tag-line touting the books a "All-Time" Bestsellers. Bantam would also reissue Colonel Sun with the new series look (this is a rare one), and finished off the year with a tie-in edition of Diamonds are Forever featuring movie poster art.



Bantam came back in June 1972 with a new edition of Goldfinger featuring McCarthy artwork that offered a rare glimpse of nudity. While they kept the "All-Time" tag, they didn't continue the series look, but instead established a new visual link -- first established on their Diamonds Are Forever tie-in -- of featuring the 007 movie logo on the backs of the books. In March 1973 they released Moonraker with the 007 logo backing and the same font as their DAF tie-in, but with very different "mod" cover art by an uncredited artist (which I still love as representative of its time). Perhaps had they continued the series we would have gotten more mod Bond covers like this?


Bantam concluded their run with a Live and Let Die tie-in released in July 1973. Ironically, this one would not feature the 007 movie logo on the back.

Speaking of movie art, elements of McCarthy's Colonel Sun artwork would later find their way onto the Thai poster for Never Say Never Again (1983).

Bantam's two movie tie-in editions.

Bantam U.S. paperback publication order:

Colonel Sun - May 1969
Casino Royale - May 1971
From Russia With Love - May 1971
Doctor No - July 1971
Colonel Sun (series art reissue) - ?
Diamond Are Forever (movie tie-in) - December 1971
Goldfinger - June 1972
Moonraker - March 1973
Live And Let Die (movie tie-in) - July 1973

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